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Chorales BWV 250-438: Details and Recordings
Individual Recordings: Hilliard - Morimur | Chorales - N. Matt | Chorales - H. Rilling | Preludi ai Corali - Quartetto Italiani di Viola Da Gamba
Discussions: Motets & Chorales for Events in the LCY / Chorales by Theme | General Discussions: Part 1 | Part 2 | Part 3 | Part 4 | Chorales in Bach Cantatas: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Passion Chorale
References: Chorales BWV 250-300 | Chorales BWV 301-350 | Chorales BWV 351-400 | Chorales BWV 401-438 | 371 4-Part Chorales sorted by Breitkopf Number | Texts & Translations of Chorales BWV 250-438
Chorale Texts: Sorted by Title | Chorale Melodies: Sorted by Title | Explanation
MIDI files of the Chorales: Cantatas BWV 1-197 | Other Vocal Works BWV 225-248 | Chorales BWV 250-438
Articles: The Origin of the Texts of the Chorales [A. Schweitzer] | The Origin of the Melodies of the Chorales [A. Schweitzer] | The Chorale in the Church Service [A. Schweitzer] | Choral / Chorale [C.S. Terry] | Hidden Chorale Melody Allusions [T. Braatz] | The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz] | The World of the Bach Chorale Settings [W.L. Hoffman]
Hymnals: Hymnals used by Bach | Wagner Hymnal 1697 | Evangelisches Gesangbuch 1995 | Dietel Chorale List c1734
Abbreviations used for the Chorales | Links to other Sites about the Chorales


Chorale Melodies used in Bach's Vocal Works
Ich hab mein Sach Gott heimgestellt

Melody & Text | Use of the CM by Bach | Use of the CM by other composers

 

Melody & Text:

Johann Leon’s hymn, “Ich hab’ mein Sach’ Gott heimgestellt,” was first published in Psalmen, geistliche Lieder und Kirchengesäng (Nürnberg, 1589). The author was born at Ohrdruf, near Gotha, and after service as an army chaplain became pastor at Königsee and Wölfis. He died at Wölfis in 1597.
The melody was originally a secular folksong documented 1500 with the original title: “Es ist auf Erd kein schwerer Leidn”. Associated with J. Leon's hymn are two melodies, both of which are used by J.S. Bach, and are traced to the same origin, a contrafact of the secular song as religious song/four-part setting (supra) chorale "Ich weiß mir ein Röslein hübsch und fein" (which is an allegorical reference to the Gospel - not a pretty young girl as one might otherwise expect) as such it was contained in a hymnal by Johann Rau, Frankfurt am Main, 1589. Precisely when the melody became associated with Leon’s text is not known, but probably this occurred at the very end of the 16th century. The Tenor of the setting becomes the melody of J. Leon's hymn in a Hymn-book dated 1609 and in Witt (No. 317). J.S. Bach introduces it into the orchestral accompaniment of Cantata BWV 106 (1711). Meanwhile, the descant melody of the 1589 four-part setting also became attached to J. Leon’s hymn in David Wolder’s Hymn-book, published in 1598. J.S. Bach uses this tune in the Organ movements infra, and there is a four-part setting of it among the Choralgesänge, No. 182 (BWV 351). J.S. Bach’s text is practically invariable. The D natural which he substitutes for F natural as the fourth note of the melody (supra) has early (1611) sanction. His variant of the opening of the second line of the stanza (notes 3-5 of line 2 supra) follows a reconstruction of the melody which became the accepted form of the tune in Hymn-books after 1601, when it first appears.
Source: Charles Sanford Terry: Johann Sebastian Bach, Bach’s Chorals, vol. 3 The Hymns and Hymn Melodies of the Organ Works [1921], pp 190-192 , with additions by Thomas Braatz (January 2005)

"Ich hab mein Sach Gott heimgestellt". Wackernagel, iv. p. 519, gives this, in 18 stanzas of 5 lines, from the Psalmen, geistliche Lieder und Kirchengesäng, Nürnberg, 1589; with a long note, in which he traces all the stanzas save xi., xiv., xv., viii., to Leon's Trostbüchlein, and to his Leich-Predigten [i.e. "Funeral Sermons"], 1581-82. Mützell, No. 347, cites it as in the Psalmen, geistliche Lieder und Lobgesänge, Strassburg, n.d., but apparently before 1587. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 1460.
This hymn has been frequently ascribed to Dr. Johann Pappus [b. Jan. 16, 1549, at Lindau on the Lake of Constanz; 1571, professor of Hebrew at the University of Strassburg; d. at Strassburg, July 13, 3610]; but this ascription has not been traced earlier than about 1640, e.g. in the Cantionale sacrum, Gotha, pt. iii., 1648, No. 18, and the Königsberg Gesang-Buch, 1650, p. 530. Lauxmann, in Koch, viii. 609, thinks that Pappus may have arranged the hymn in its present form. It was probably suggested by a song beginning, "Ich hab meine Sach zu Gott gestellt," which Wackernagel iii., Nos. 1242, 1243, quotes from a Leipzig broadsheet of 1555, and other sources.
This hymn has been translated as:
1. My Life I now to God resign. By J. O. Jacobi, in his Psalter Germanica, pt. ii., 1725, p. 56 (1732, p. 199), omitting st. vii., xv., xvi. Repeated in the Moravian Hymn Book, 1754, pt. i., No. 313 (1886, No. 1242, beginning with the translation of st. viii., "Teach us to number so our days"), and in J. A. Latrobe's Collection, 1841 and 1852. In the Bible Hymn Book 1845, it begins with st. iii., "What is this life? a constant scene."
2. My all I to my God commend. A very good translation of stanzas i., iii., vi., viii., x., xi., xiv., xvii., by A. T. Russell, as No. 246, in his Psalms & Hymns 1851; repeated, abridged, in Dr. Pagenstecher's Collection, 1864, and Kennedy, 1863, No. 156. Dr. Kennedy, also gives a cento, beginning with the translation of stanza x., "Few are our days and sad below."
3. My cause is God's, and I am still. A good tr. of stanzas i., xi.-xiv., xvi.-xviii., by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 210; repeated, omitting the translations of stanzas xii., xvii., in her Chorale Book for England, 1863, No. 127. [Rev. James Mearns, M.A.]
Source: Hymnary.org (from John Julian, Dictionary of Hymnology, 1907)

Melody: Ich weiß mir ein Röslein hübsch und fein = Ich hab mein Sach Gott heimgestellt (Zahn 1678)
Composer: Anon (Frankfurt/Main, 1589), based on a 16th century melody.

 

Text: Ich hab mein Sach Gott heimgestellt (NLGB 339; GH 317)
Author: Johann Leon (1589)

Hymnal versions Bach may have known:


Melody & text of Ich hab’ mein Sach’ Gott heimgestellt (NLGB 339) from the Neu Leipziger Gesangbuch, pp 866-870

Melody & verse 1 of Ich weiß mir ein Röslein hübsch und fein (GH 317) from the Gotha Hymnal, p 194

 
 

Use of the Chorale Melody by Bach:

Text: Ich hab mein Sach Gott heimgestellt

Chorale Ich hab mein Sach Gott heimgestellt, BWV 351
Ref: RE 19; Br 19; KE 182; Birnstiel 22; AmB 46II p.169; Levy-Mendelssohn 36; Fasch p.71; BGA 98; BC F102.1; CST 188

 

Untexted:

Chorus & Arioso with Instrumental Chorale Es ist der alte Bund (Mvt. 2d) from Cantata BWV 106

Into the opening movement Bach introduces a melody which he has not employed elsewhere in the Cantatas, Motetts, or Oratorios. It is found in Johann Rhau’s Gesangbuch (Frankfort a. Main, 1589) as the Tenor in a four-part setting of the secular song, “Ich weiss mir ein Roslein hübsch und fein,” and becomes the melody of the Hymn “Ich hab’ mein Sach’ Gott heimgestellt” in Melchior VulpiusEin schön geistlich Gesangbuch (Jena, 1609). J.S. Bach uses it in the orchestral accompaniment of this movement. The first line of the melody is identical with the 1565 tune, “Warum betrübst du dich, mein Herz”. The 1589 descant melody was appropriated to the same Hymn in 1598 and is used by J.S. Bach in Choralgesange, No. 182 (BWV 351); Organ Works, BWV 707, BWV 708.

 
 
 
 
 
 

Chorale Prelude Ich hab mein Sach Gott heimgestellt (I), BWV 707 (Kirnberger)
Chorale Prelude Ich hab mein Sach Gott heimgestellt (I), BWV 707a (Kirnberge)
Chorale Prelude Ich hab mein Sach Gott heimgestellt (I), BWV 707b (Kirnberger)

The movement treats in fugue the five phrases of the cantus. MSS. of the movement are among the Kirnberger and Oley mss. and four other copies are extant. The B.G. Edition ascribes it confidently to Bach’s early period, and Spitta attributes it to Walther. There does not appear to be any close relation between it and the stanzas of the hymn. Five of the six mss. of it conclude with a plain four-part harmonization of the tune, having a certain amount of free figure work. It is omitted from the Novello Edition, and printed in P. vi. 77.

 
 
 

Chorale Prelude Ich hab mein Sach Gott heimgestellt (II), BWV 708 (Kirnberger)
Chorale Prelude Ich hab mein Sach Gott he (III), BWV 708a (Kirnberger)

The two arrangements come from different sources. The first (A) is found in Kirnberger’s, Voss’, and three other mss. The second (B) occurs in a much later (1836) text and is misleadingly described in the B.G. Edition as a “Variant” of A. Both settings are plain four-part harmonizations of the tune, of greater simplicity than that appended to BWV 707.

Chorale Prelude Ich hab mein Sach Gott heimgestellt (IV), BWV 1113 (Neumeister)

 
 
 

Use of the Chorale Melody by other composers:

 
 

Sources: Bach Digital; BGA; Zahn; BCML discussions on BCW; Charles Sanford Terry's Bach Chorals books
Photos from Gottfried Vopelius: Neu Leipziger Gesangbuch (Vopelius 1682) & Christian Friedrich Witt: Psalmodia Sacra, Oder: Andächtige und schöne Gesänge… (Gotha Hymnal, 1715), were taken from digital copies of the books downloaded from Bayerische Staatsbibliothek München. These copies are Out of copyright - non commercial re-use (Europeana Rights).
Prepared by Aryeh Oron (October 2018)


Chorales BWV 250-438: Details and Recordings
Individual Recordings: Hilliard - Morimur | Chorales - N. Matt | Chorales - H. Rilling | Preludi ai Corali - Quartetto Italiani di Viola Da Gamba
Discussions: Motets & Chorales for Events in the LCY / Chorales by Theme | General Discussions: Part 1 | Part 2 | Part 3 | Part 4 | Chorales in Bach Cantatas: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Passion Chorale
References: Chorales BWV 250-300 | Chorales BWV 301-350 | Chorales BWV 351-400 | Chorales BWV 401-438 | 371 4-Part Chorales sorted by Breitkopf Number | Texts & Translations of Chorales BWV 250-438
Chorale Texts: Sorted by Title | Chorale Melodies: Sorted by Title | Explanation
MIDI files of the Chorales: Cantatas BWV 1-197 | Other Vocal Works BWV 225-248 | Chorales BWV 250-438
Articles: The Origin of the Texts of the Chorales [A. Schweitzer] | The Origin of the Melodies of the Chorales [A. Schweitzer] | The Chorale in the Church Service [A. Schweitzer] | Choral / Chorale [C.S. Terry] | Hidden Chorale Melody Allusions [T. Braatz] | The History of the Breitkopf Collection of J. S. Bach’s Four-Part Chorales [T. Braatz] | The World of the Bach Chorale Settings [W.L. Hoffman]
Hymnals: Hymnals used by Bach | Wagner Hymnal 1697 | Evangelisches Gesangbuch 1995 | Dietel Chorale List c1734
Abbreviations used for the Chorales | Links to other Sites about the Chorales




 

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Last update: Saturday, January 04, 2020 13:35